FROU-FROU: A MENAGERIE OF SORTS PROGRAM


REIKO AYLESWORTH (Mamma) – Reiko’s stage work includes world premieres of plays by Eric Bogosian, Lyle Kessler, John Patrick Shanley and others. More recently, she voiced a recurring role in the Marvel animated series, Hit Monkey, performed in the world premiere of Black Superhero Magic Mama, directed by Robert O’Hara at The Geffen Playhouse and will shortly be seen in the upcoming
independent film, Lou Lou. She played the role of Michelle Dessler on the Golden Globe winning series, 24 and has acted as a series regular, recurring or guest star in over 200 episodes of
television, including recurring roles on Lost, Damages, Hawaii 5-0, Revolution, Scorpion, ER and more. Reiko has enjoyed expanding her career into directing and now teaching. As a director,
her first comedic short film, Veronica, was screened at 19 festivals and won multiple awards. She then directed a dramatic short film called I Was A Stranger, which was screened at the Toronto
International Women’s Film Festival and The Bentonville Film Festival helmed by Geena Davis.

SIMONE BRAZZINI (L) – Simone was born in Lima, Peru, raised in Dallas, Texas, and currently resides in Los Angeles. They are an internationally recognized multi-hyphenate artist with a passion for acting and filmmaking. In 2021, their commitment to inclusion in film prompted them to found Vibes Video, a production company centering BIPOC, LGBTQ, and Neurodiverse stories. As of 2024, Vibes Video has produced four shorts, a pilot, a feature proof of concept, and four sketches. They are currently in development for their feature film My Name is Blue. Simone also enjoys hiking, rock climbing, writing songs, and playing pickleball. IG: @simonebrazzini

RYAN IMHOFFR (Man) – Ryan is so jazzed to make his Boston Court Pasadena debut. Regional credits include work with American Players Theatre, Chicago Shakespeare Theater, Milwaukee Repertory Theatre, Utah Shakespeare Festival, Cincinnati Playhouse in the Park, New Swan, Windy City Playhouse, New Theatre, B Street Theatre, Human Race Theatre, Little Theatre on the Square, Know Theatre, and Theatre Out. TV/Film: Chicago PD, Wilt, I Am A Channel. Ryan is also an award winning filmmaker. You can find his first feature film, Fresh Hell, on Peacock, Amazon and DVD. (Check it out if you have a strong stomach!) Education: M.F.A., UC, Irvine; B.F.A., WSU. Love to Christine and Harrison.

PATRICK REILLY (Harold) – Patrick is thrilled to be making his Los Angeles theatre debut with Boston Court as Harold. Film and Television credits include The Other Two (MAX), Dating My Mother (Peacock), and Indiewire acclaimed web series Danny the Manny. Off-Broadway AFTERGLOW. Co-Founder of The Queer Ensemble, a non-profit theatre company producing queer works. USC BFA ’15. Thanks to Victor Vasquez, Steve at 44 West Entertainment, Craig and Ellie at Avalon.

JOHN ANTHONY LOFFREDO
Playwright

ZI ALIKHAN
Director
The Play That Goes Wrong (Santa Barbara City College), Romeo & Juliet (Tennessee Shakespeare Company). Other fight credits: Geffen Playhouse, San Diego Rep, South Coast Repertory, The Wallis, The Getty Villa, Shakespeare & Company. He has choreographed mayhem for many of Los Angeles’ intimate theaters. Edgar serves on the faculty of the USC School of Dramatic Arts. Edgar is a proud union member and supporter of the Los Angeles intimate theatre community. Online: www.edgarlanda.com
EVAN MARSHALL (Voiceover)
WILL DONKE (Production Assistant)
DEVIN HARRIS, BENTON ROBERTSON, & MAX TEL (Scenic Carpenters)
EZRA FISHER, DEVIN HARRIS, ROBBY MEREDITH, BENTON ROBERTSON, & MAX TEL (Electricians)
ABOUT BOSTON COURT
Dear Audiences,
Thank you for joining us today at Boston Court Pasadena!
As we dive into 2025, I find myself reflecting on both the power of art and the pressing challenges we face as a community. My husband and I are deeply dismayed by the current threats posed at the federal level—threats that seek to undermine the safety, livelihood, and full existence of our LGBTQIA+ family, while also placing the future of the National Endowment for the Arts (NEA) in jeopardy. Furthermore, we are witnessing efforts to disenfranchise immigrants, the very backbone of our country, whose contributions enrich every facet of our society, including the arts.
Art has long been a sanctuary for those whose voices are often marginalized. It is a space where identity is explored, affirmed, and celebrated—a fundamental right that is now under threat. These attacks are not just political; they are personal. They strike at the core of who we are and the stories we tell. And yet, we at Boston Court Pasadena remain unwavering in our commitment to inclusion, artistic expression, and the celebration of our shared humanity.
As you experience our first production of the 2025 season, John Anthony Loffredo’s bold reimagining of The Glass Menagerie through a queer lens, we are reminded of why this work is vital. Theatre is not merely entertainment—it is a reflection of our lives, our struggles, and our dreams.
But this moment calls for more than just artistic courage—it calls for community action. Here in Pasadena, we have already seen how hardship can strike close to home. The devastating fires have displaced our neighbors, and many in our creative community are facing uncertain futures. Now, more than ever, we must come together to support local organizations that champion inclusion, expression, and the radical act of being seen.
I urge you to stand with us. Support your local arts institutions. Make space for diverse voices. Invest in the creativity that makes us uniquely human. And, above all, let us continue to create, to celebrate, and to resist.
With steadfast commitment,
Manuel Prieto
Executive Director
Boston Court Pasadena
Boston Court creates and nurtures innovative, boundary-pushing art that invokes the power of collective imagination to illuminate our common humanity.
Expanding our capacity for empathy and change.
We’re passionate about the heightened, the lyrical, the never-seen-before, the boundary-breaking. We’re drawn to art that excavates the depth of human existence or dances in and out of ineffable wonder. We fall for the imaginative, the impossible, the incandescent. We love the absurd. We swoon for the cerebral. We bow down to heartbreak and humor, especially when we don’t see them coming. Show us the magic of what’s real and the tangibility of what’s ethereal.
BOSTON COURT PASADENA STAFF
LEADERSHIP
ARTISTIC
ADMINISTRATIVE
BOARD OF DIRECTORS
EDWARD RADA, CHAIR
ARLENE WITHERS, VICE CHAIR
DAMA MONTALVO, SECRETARY
CHRIS WERNER, TREASURER
Z. CLARK BRANSON
WALT COCHRAN-BOND
JERED GOLD
NIK GOMEZ
ROBIN GREEN
SANDY GREENSTEIN
ROBERT LEVENTER
DAMARIS MONTALVO
RACHEL MOORE
YVETTE SANCHEZ
EILEEN T’KAYE
NICK VASELS
EMERITUS BOARD MEMBERS
BILL ANAWALT
JOE CARTER
TOM JACOBSON
SARAH LYDING
GRETA MANDELL
JON NEUSTADTER
MICHAEL RUFF